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Join us for a conversation with Anne Bogart about her new book: The Art of Resonance.
Part of the Segal Center’s Fall 2021 Book Talk Series.
Moderated by Frank Hentschker, Director, MESTC, The Graduate Center CUNY.
Anne Bogart is one of the three Co-Artistic Directors of the SITI Company, which she founded with Japanese director Tadashi Suzuki in 1992. She is a Professor at Columbia University where she runs the Graduate Directing Program. Works with SITI include Falling & Loving; The Bacchae, Chess Match No. 5; Lost in the Stars; The Theater is a Blank Page; Persians; Steel Hammer; A Rite; Café Variations; Trojan Women (After Euripides); American Document; Antigone; Under Construction; Freshwater; Who Do You Think You Are; Radio Macbeth; Hotel Cassiopeia; Death and the Ploughman; La Dispute; Score; bobrauschenbergamerica; Room; War of the Worlds–the Radio Play; Cabin Pressure; Alice’s Adventures; Culture of Desire; Bob; Going, Going, Gone; Small Lives/Big Dreams; The Medium; Noel Coward’s Hay Fever and Private Lives; August Strindberg’s Miss Julie; and Charles Mee’s Orestes. Recent operas include: Wagner’s Tristan and Isolde, The Handmaid’s Tale, Handel’s Alcina, Dvorak’s Dimitrij, Verdi’s Macbeth, Bellini’s Norma and Bizet’s Carmen. She is the author of five books: A Director Prepares; The Viewpoints Book; And Then, You Act; Conversations with Anne, and What’s the Story.
About The Art of Resonance:
What is artistic resonance and how can it be linked to one’s life and one’s art?
This latest book of essays from legendary theatre director Anne Bogart, considers the creation of resonance in the artistic endeavour, with a focus on the performing arts. The word ‘resonance’ comes from the Latin meaning to ‘re-sound’ or ‘sound together’. From music to physics, resonance is a common thread that evokes a response and, in general, is understood as aquality that makes something personally meaningful and valuable. For Bogart, curiosity is a key personal quality to be nurtured throughout life and that very same curiosity, as an artist, thinker and human being. Creating pathways between performance theory, art history, neuroscience, music, architecture and the visual arts, and consistently forging new thought-paths, the writing draws upon Anne Bogart’s own life and artistic journeys to illuminate potent philosophical ideas.
Woven with personal anecdotes, stories and reflections, this is a book that will be of interest to any theatre artist and anyone who reflects on the power of the arts, of theatre-making and what it means to be engaged in the artistic process.
CLICK HERE for a for a free download of a chapter from The Art of Resonance by Anne Bogart published by and courtesy of Methuen Drama; Bloomsbury Publishing, 2021.
SEGAL BOOK TALKS – FALL 2021
NOVEMBER
Mon Nov 22, 12:00 noon Bonnie Marranca Book Talk: Timelines: Writings and Conversations; US
Mon Nov 29, 12:00 noon Theresa Krystyna Smalec Book Talk: Ron Vawter’s Life in Performance; US
DECEMBERWed Dec 1, 12:00 noon Alexis Greene & Emily Mann Book Talk: EMILY MANN: Rebel Artist of the American Theater; US
Mon Dec 6, 12:00 noon Carey Perloff Book Talk: Pinter and Stoppard: A Director’s View; US
Wed Dec 8, 12:00 noon Anne Cattaneo Book Talk: The Art of Dramaturgy; US
Mon Dec 13, 1:00 PM Anne Bogart Book Talk: The Art of Resonance; US
Wed Dec 15, 12:00 noon Avra Sidiropoulou & Frank Raddatz Book Talk: Staging 21st Century Tragedies. Theatre, Politics, and Global Crisis; Greece & Germany
Mon Dec 20, 12:00 noon Eiko Otake Book Talk: A Body in Fukushima; Japan and US
ABOUT THE SEGAL TALKS
The Segal Theatre Center’s online conversation series SEGAL TALKS was created in March of 2020 after the abrupt closing of the Graduate Center for any kind of public activities due to Corona and the cancellation of the entire spring season. The SEGAL TALKS during The Time of Corona offered conversations on theatre, performance and art during the pandemic featuring with more than 200 theater artists from over 50 countries. New York, US, and international theatre artists, curators, writers, and academics talked daily during the week for one hour with Segal Center’s director, Frank Hentschker, about life and art in the Time of Corona and speak about challenges, sorrows, and hopes for the new Weltzustand— the State of the World. In the summer of 2021 Segal Talks continued to focus on Theatre, Performance and The Political, the Segal Center’s 2023 New York International Festival of the Arts Project and the 2022 Center’s Public Park Project. During the pandemic The Segal Center was for a long period globally the only theatre institution creating new, original, daily content for the global field of theater and performance five days a week. Currently the Center is preparing the 4th edition of the Segal Center’s global Film Festival on Theatre and Performance.
SEGAL TALKS are free, open access, without ads will be live-streamed in English from Wednesday to Friday on HowlRound Theatre Commons and on the Segal Center Facebook. This program is presented in collaboration with HowlRound Theatre Commons, based at Emerson College. All SEGAL TALKS are archived on HowlRound, and on the Segal Center YouTube Channel.
Originally founded in 1979 as the Center for Advanced Studies in Theatre Arts (CASTA), The Martin E. Segal Theatre Center was renamed in March of 1999 to recognize Martin E. Segal, one of New York City’s outstanding leaders of the arts. The Segal Center curates over thirty events throughout the Spring and Fall academic seasons, all free and open to the public. Dedicated to bridging the gap between the professional and academic theatre communities, the Segal Center presents readings, performance, lectures, and artists and academics in conversation. In addition, the Segal Center presents three annual festivals (PRELUDE, PEN World Voices: International Pay Festival, and The Segal Center Film Festival on Theatre and Performance) and publishes and maintains three open access online journals (Arab Stages, European Stages, and The Journal of American Drama and Theatre). The Segal Center also publishes many volumes of plays in translation and is the leading publisher of plays from the Arab world. The Martin E. Segal Theatre Center (MESTC) is a vital component of the Theatre Program’s academic culture and creating in close collaboration a research nexus, focusing on dramaturgy, new media, and global theatre. The Segal Center provides an intimate platform where both artists and theatre professionals can actively participate with audiences to advance awareness and appreciation. www.TheSegalCenter.org
THE SEGAL TEAM
Executive Director: Frank Hentschker
Associate Producers: Andie Lerner & Tanvi Shah
THE GRADUATE CENTER, CITY UNIVERSITY OF NEW YORK, of which the Martin E. Segal Theatre Center is an integral part, is the doctorate-granting institution of The City University of New York (CUNY). An internationally recognized center for advanced studies and a national model for public doctoral education, the school offers more than thirty doctoral programs, as well as a number of master’s programs. Many of its faculty members are among the world’s leading scholars in their respective fields, and its alumni hold major positions in industry and government, as well as in academia. The Graduate Center is also home to twenty-eight interdisciplinary research centers and institutes focused on areas of compelling social, civic, cultural, and scientific concerns. Located in a landmark Fifth Avenue building, The Graduate Center has become a vital part of New York City’s intellectual and cultural life with its extensive array of public lectures, exhibitions, concerts, and theatrical events. www.gc.cuny.edu.
HowlRound Theatre Commons at www.HowlRound.com is a free and open platform for theatre makers worldwide that amplifies progressive, disruptive ideas about the art form and facilitates connection between diverse practitioners. HowlRound envisions a theatre field where resources and power are shared equitably in all directions, contributing to a more just and sustainable world. HowlRound was founded on an organizing principle in the “commons”—a social structure that invites open participation around shared values. HowlRound is a knowledge commons that encourages freely sharing intellectual and artistic resources and expertise. It is our strong belief that the power of live theatre connects us across difference, puts us in proximity of one another, and strengthens our tether to our commonalities. HowlRound is based at Emerson College, Boston. http://www.howlround.com
(Untitled)
SEGAL TALKS: Anne Bogart- ‘The Art of Resonance’
« Back to EventsClick Here to Watch Previous Segal Talks
Part of the Segal Center’s Fall 2021 Book Talk Series.
Moderated by Frank Hentschker, Director, MESTC, The Graduate Center CUNY.
Anne Bogart is one of the three Co-Artistic Directors of the SITI Company, which she founded with Japanese director Tadashi Suzuki in 1992. She is a Professor at Columbia University where she runs the Graduate Directing Program. Works with SITI include Falling & Loving; The Bacchae, Chess Match No. 5; Lost in the Stars; The Theater is a Blank Page; Persians; Steel Hammer; A Rite; Café Variations; Trojan Women (After Euripides); American Document; Antigone; Under Construction; Freshwater; Who Do You Think You Are; Radio Macbeth; Hotel Cassiopeia; Death and the Ploughman; La Dispute; Score; bobrauschenbergamerica; Room; War of the Worlds–the Radio Play; Cabin Pressure; Alice’s Adventures; Culture of Desire; Bob; Going, Going, Gone; Small Lives/Big Dreams; The Medium; Noel Coward’s Hay Fever and Private Lives; August Strindberg’s Miss Julie; and Charles Mee’s Orestes. Recent operas include: Wagner’s Tristan and Isolde, The Handmaid’s Tale, Handel’s Alcina, Dvorak’s Dimitrij, Verdi’s Macbeth, Bellini’s Norma and Bizet’s Carmen. She is the author of five books: A Director Prepares; The Viewpoints Book; And Then, You Act; Conversations with Anne, and What’s the Story.
About The Art of Resonance:
Woven with personal anecdotes, stories and reflections, this is a book that will be of interest to any theatre artist and anyone who reflects on the power of the arts, of theatre-making and what it means to be engaged in the artistic process.
CLICK HERE for a for a free download of a chapter from The Art of Resonance by Anne Bogart published by and courtesy of Methuen Drama; Bloomsbury Publishing, 2021.
SEGAL BOOK TALKS – FALL 2021
NOVEMBER
Mon Nov 22, 12:00 noon
Bonnie Marranca
Book Talk: Timelines: Writings and Conversations; US
Mon Nov 29, 12:00 noon
Theresa Krystyna Smalec
Book Talk: Ron Vawter’s Life in Performance; US
DECEMBERWed Dec 1, 12:00 noon
Alexis Greene & Emily Mann
Book Talk: EMILY MANN: Rebel Artist of the American Theater; US
Mon Dec 6, 12:00 noon
Carey Perloff
Book Talk: Pinter and Stoppard: A Director’s View; US
Wed Dec 8, 12:00 noon
Anne Cattaneo
Book Talk: The Art of Dramaturgy; US
Mon Dec 13, 1:00 PM
Anne Bogart
Book Talk: The Art of Resonance; US
Wed Dec 15, 12:00 noon
Avra Sidiropoulou & Frank Raddatz
Book Talk: Staging 21st Century Tragedies. Theatre, Politics, and Global Crisis; Greece & Germany
Mon Dec 20, 12:00 noon
Eiko Otake
Book Talk: A Body in Fukushima; Japan and US
ABOUT THE SEGAL TALKS
SEGAL TALKS are free, open access, without ads will be live-streamed in English from Wednesday to Friday on HowlRound Theatre Commons and on the Segal Center Facebook. This program is presented in collaboration with HowlRound Theatre Commons, based at Emerson College. All SEGAL TALKS are archived on HowlRound, and on the Segal Center YouTube Channel.
CONTACT
ABOUT THE MARTIN E. SEGAL THEATRE CENTER
THE SEGAL TEAM
THE GRADUATE CENTER, CITY UNIVERSITY OF NEW YORK, of which the Martin E. Segal Theatre Center is an integral part, is the doctorate-granting institution of The City University of New York (CUNY). An internationally recognized center for advanced studies and a national model for public doctoral education, the school offers more than thirty doctoral programs, as well as a number of master’s programs. Many of its faculty members are among the world’s leading scholars in their respective fields, and its alumni hold major positions in industry and government, as well as in academia. The Graduate Center is also home to twenty-eight interdisciplinary research centers and institutes focused on areas of compelling social, civic, cultural, and scientific concerns. Located in a landmark Fifth Avenue building, The Graduate Center has become a vital part of New York City’s intellectual and cultural life with its extensive array of public lectures, exhibitions, concerts, and theatrical events. www.gc.cuny.edu.
HowlRound Theatre Commons at www.HowlRound.com is a free and open platform for theatre makers worldwide that amplifies progressive, disruptive ideas about the art form and facilitates connection between diverse practitioners. HowlRound envisions a theatre field where resources and power are shared equitably in all directions, contributing to a more just and sustainable world. HowlRound was founded on an organizing principle in the “commons”—a social structure that invites open participation around shared values. HowlRound is a knowledge commons that encourages freely sharing intellectual and artistic resources and expertise. It is our strong belief that the power of live theatre connects us across difference, puts us in proximity of one another, and strengthens our tether to our commonalities. HowlRound is based at Emerson College, Boston. http://www.howlround.com