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- Four Works for the Theatre by Hugo Claus
- Jan Fabre: I Am A Mistake
- Jan Fabre: The Servant of Beauty
- New Plays from Italy Vol 1: The Origin of the World
- New Plays from Italy Vol 2: Three Plays
- New Plays from Spain
- Pixérécourt: Four Melodramas
- Playwrights Before the Fall
- Quick Change
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- Ten Years PRELUDE
- The Arab Oedipus: Four Plays
- The Heirs of Molière
- The Trilogy of Future Memory
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- Theatre Research Resources in New York City
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- Two Plays: Fleeting Stages
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List of Books
- New Plays from Italy Vol 1: The Origin of the World
- New Plays from Italy Vol 2: Three Plays
- Four Arab Hamlet Plays
- Ten Years PRELUDE
- Decadent Histories: Four Plays by Amelia Hertz
- The Trilogy of Future Memory
- Four Millennial Plays From Belgium
- Four Plays from Syria
- Theatre from Medieval Cairo
- New Plays from Spain
- Shakespeare Made French
- Jan Fabre: The Servant of Beauty
- Timbre 4
- Quick Change
- Playwrights Before the Fall
- Czech Plays
- Jan Fabre: I Am A Mistake
- Two Plays: Fleeting Stages
- Barcelona Plays
- BAiT
- roMANIA after 2000
- Four Plays from North Africa
- The Arab Oedipus: Four Plays
- Seven Plays by Witkiewicz
- The Heirs of Molière
- Pixerecourt:: Four Melodramas
- Comedy: A Bibliography
- Zeami and the Nô Theatre in the World
- Four Works for the Theatre by Hugo Claus
- Theatre Research Resources in New York City
- Contemporary Theatre in Egypt
List of Journals
Digital Initiatives
SEEP
Slavic and East European Performance
Established in 1981, SEEP (formerly called Soviet and East European Performance) brings readers lively, authoritative accounts of drama, theatre, and film in Russia and Eastern Europe. The journal includes features on important plays in performance, archival documents, innovative productions, significant revivals, emerging artists, and the latest in film. SEEP went out of print in 2013, but MESTC is in the process of making the entire back catalogue of Slavic and East European Performance available online.
Edited by the late Distinguished Professor Daniel Gerould.
“Each issue of Slavic and East European Performance contains valuable articles and often surprising discoveries of previously unknown material.” – Jan Kott